Salendro Bedantara 17 Tones
This preset is Kusumadinata's theory of a 17-tones Salendro Bedantara where the distance between the tones is different. A gamelan set called "Ki Pembayun" has been built according to this interval structure. Here is the formulation of the 17-tone Salendro Bedantara interval structure:
| Pitch | Interval | Note Names |
|---|---|---|
| 256 Hz | Pangasih (5) | |
| 267 Hz | 73 cents | Gulu Malang (4+) |
| 278 Hz | 70 cents | Pangasih Miring (5-) |
| 289,5 Hz | 70 cents | Gulu (4) |
| 301,5 Hz | 70 cents | Dada Malang (3+) |
| 314 Hz | 71 cents | Gulu Miring (4-) |
| 327 Hz | 70 cents | Dada (3) |
| 341 Hz | 72 cents | Panangis (3-) |
| 355 Hz | 70 cents | Lima Malang (2+) |
| 370 Hz | 72 cents | Panangis Miring (3-#) |
| 385 Hz | 69 cents | Lima (2) |
| 401 Hz | 70 cents | Nem Malang (1+) |
| 418 Hz | 72 cents | Lima Miring (2-) |
| 435 Hz | 69 cents | Nem (1) |
| 453 Hz | 70 cents | Barang Malang (5+b) |
| 472 Hz | 71 cents | Nem Miring (1-) |
| 491 Hz | 69 cents | Barang (5+) |
| 512 Hz | 72 cents | Pangasih (5) |
References
Fausta, E. (2020) ‘Konsep Laras Salendro R.M.A. Koeosoemadinata pada Angklung Pentatonis Ragam Laras’, Jurnal Kajian Seni, 5(2), p. 150.